<div class="slider_ser tipo_generic " id="slider_ser64"><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-01.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-02.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-03.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-04.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-05.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-06.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-07.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-08.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-09.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-10.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-11.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-12.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-13.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-14.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-15.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-16.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-17.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-18.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-19.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-20.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-21.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-22.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-23.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-24.jpg"/><img src="https://www.atelierfemia.com/projectgallery/ppl/ppl-25.jpg"/></div>{"id":64,"date":"2012-11-25T16:19:28","date_gmt":"2012-11-25T15:19:28","guid":{"rendered":"http:\/\/www.5piu1aa.com\/fr\/?p=64"},"modified":"2024-01-11T12:55:57","modified_gmt":"2024-01-11T11:55:57","slug":"rehabilitation-lourde-de-la-poste-du-louvreparis","status":"publish","type":"post","link":"https:\/\/www.atelierfemia.com\/fr\/2012\/11\/rehabilitation-lourde-de-la-poste-du-louvreparis\/","title":{"rendered":"Poste du Louvre"},"content":{"rendered":"\n<div id=\"datiprogetto\" class=\"datiprogetto\"><b>Poste du Louvre<\/b><br \/>\nParis<br \/>\n2012<br \/>\n<br \/>\nprogramme : Restructuration lourde de \u201cla Poste du Louvre\u201d : activit\u00e9s de tri postal, transbord, restaurant d\u2019entreprise, plateaux de bureaux, bureau de poste, commerces, h\u00f4tel et restaurant, commissariat, salles pour \u00e9tudiants, logements et espaces publics<br \/>\n> surface totale : 31 831 m2<br \/>\n> bureaux : 10 880 m2 SHON<br \/>\n> commerces : 2 263 m2 SHON<br \/>\n> logements : 1 155 m2 SHON<br \/>\n> poste lieu de travail : 5 181 m2 SHON<br \/>\n> enseigne de la poste : 979 m2 SHON<br \/>\n> h\u00f4tel et restaurant : 7 189 m2 SHON<br \/>\n> services au quartier : 4 184 m2 SHON<br \/>\nma\u00eetre d&rsquo;ouvrage : Poste Immo<br \/>\nprojet : Alfonso Femia * avec Thi\u00e9rry Algrin et MUTABILIS<br \/>\nBET structures : Betom Ing\u00e9nierie<br \/>\nBET fluides et environnement : Betom ing\u00e9nierie, Franck Boutte Consultants (BET HQE)<br \/>\nimages : \u00a9Atelier(s) Alfonso Femia &#038; ArteFactory Lab<br \/>\nphotos : \u00a9E. Caviola<br \/>\nmaquette en c\u00e9ramique : Danilo Trogu<br \/>\nlivre: \u00ab\u00a0La Poste du Louvre\u00a0\u00bb\n<\/div>\n<div class=\"topicprogetto\">\u00ab\u00a0Nous nous sommes approch\u00e9s comme on s\u2019approche d\u2019une \u00e9nigme, comme on d\u00e9couvre un secret.<br \/>\nBien qu\u2019il semble avoir \u00e9t\u00e9 toujours pr\u00e9sent dans la ville, cet \u00e9difice n\u00e9cessitait d\u2019\u00eatre r\u00e9v\u00e9l\u00e9 : son identit\u00e9,<br \/>\nconfront\u00e9e \u00e0 d\u2019autres natures, d\u2019autres relations, d\u2019autres intimit\u00e9s&#8230; devait \u00eatre renforc\u00e9e.<br \/>\nLe temps, l\u2019espace.\u00a0\u00bb AF<\/div>\n<div class=\"descrizioneprogetto\">Corps, Sentiments et Merveille<br \/>\nChaque ville d\u2019envergure poss\u00e8de des b\u00e2timents qui peuvent \u00eatre qualifi\u00e9s d\u2019\u00ab h\u00e9ro\u00efques \u00bb et qui se caract\u00e9risent<br \/>\npar leur p\u00e9rennit\u00e9.<br \/>\nQu\u2019ils aient \u00e9t\u00e9 pens\u00e9s comme des \u00ab machines \u00bb, des objets ou encore comme des dispositifs urbains ou spatiaux,<br \/>\nces b\u00e2timents persistent \u00e0 nos c\u00f4t\u00e9s et sont autant de moyens d\u2019appr\u00e9hender la ville.<br \/>\nCette dimension que nous appelons \u00ab h\u00e9ro\u00efque \u00bb est rare. Nous sommes partis \u00e0 la recherche du corps et de l\u2019\u00e2me de la Poste du Louvre de Paris, et avons tent\u00e9 de renforcer le dialogue les liant l\u2019un \u00e0 l\u2019autre.<br \/>\nNous nous sommes approch\u00e9s comme on s\u2019approche d\u2019une \u00e9nigme, comme on d\u00e9couvre un secret.<br \/>\nBien qu\u2019il semble avoir \u00e9t\u00e9 toujours pr\u00e9sent dans la ville, cet \u00e9difice n\u00e9cessitait d\u2019\u00eatre r\u00e9v\u00e9l\u00e9 : son identit\u00e9,<br \/>\nconfront\u00e9e \u00e0 d\u2019autres natures, d\u2019autres relations, d\u2019autres intimit\u00e9s&#8230; devait \u00eatre renforc\u00e9e.<br \/>\nLe temps, l\u2019espace.<br \/>\n<br \/>\nUn dispositif spatio-temporel, un projet chronotope<br \/>\nLe projet est l\u2019opportunit\u00e9 de cr\u00e9er un chronotope singulier du Grand Paris ; une symbiose entre lieu et temps en r\u00e9sonance avec les r\u00e9flexions contemporaines sur la capitale.<br \/>\nUn d\u00e9fis majeurs pos\u00e9 aujourd\u2019hui par la m\u00e9tropole : celui de concilier les extr\u00eames<br \/>\n\u00c0 ces enjeux, nous nous opposons un dispositif spatio-temporel, architecture \u00e0 la fois pragmatique et po\u00e9tique.<br \/>\nLe chronotope ainsi construit se structure autour d\u2019une architecture o\u00f9 l\u2019espace et le temps se d\u00e9ploient,<br \/>\nd\u00e9finissant l\u2019exp\u00e9rience corporelle des lieux.<br \/>\nLe projet architectural se pr\u00e9sente alors comme un dispositif \u00e0 travers lequel d\u00e9couvrir l\u2019histoire de ce lieu<br \/>\nhabit\u00e9, et son devenir.<br \/>\nL\u2019exp\u00e9rience ph\u00e9nom\u00e9nologique qui en est faite s\u2019\u00e9paissit progressivement, au-del\u00e0 de toute appr\u00e9hension<br \/>\nimm\u00e9diate.<br \/>\n<br \/>\n\u2022 VIDEOS DE PROJET :<br \/>\n> <a href=\"https:\/\/www.atelierfemia.com\/fr\/2012\/09\/la-poste-du-louvre\/?noredirect=fr_FR\">La Poste du Louvre<\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Poste du Louvre Paris 2012 programme : Restructuration lourde de \u201cla Poste du Louvre\u201d : activit\u00e9s de tri postal, transbord, restaurant d\u2019entreprise, plateaux de bureaux, bureau de poste, commerces, h\u00f4tel et restaurant, commissariat, salles pour \u00e9tudiants, logements et espaces publics &hellip; <a href=\"https:\/\/www.atelierfemia.com\/fr\/2012\/11\/rehabilitation-lourde-de-la-poste-du-louvreparis\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2719,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,10],"tags":[2159,887,2636,1857,2065,757,1709,1008,777,2635,1535,1674,1628,891,1002],"class_list":["post-64","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sports-commerce","category-tertiaire","tag-bureau-de-poste","tag-bureaux","tag-chronotope","tag-commerces","tag-espaces-publics","tag-france","tag-grand-paris","tag-hotel","tag-paris","tag-poste-du-louvre","tag-rehabilitation","tag-renovation","tag-residences","tag-restaurant","tag-restructuration","selezione-selection","siglaprog-ppl"],"_links":{"self":[{"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/posts\/64","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/comments?post=64"}],"version-history":[{"count":1,"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/posts\/64\/revisions"}],"predecessor-version":[{"id":5143,"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/posts\/64\/revisions\/5143"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/media\/2719"}],"wp:attachment":[{"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/media?parent=64"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/categories?post=64"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.atelierfemia.com\/fr\/wp-json\/wp\/v2\/tags?post=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}